XCOM 2 might not be out until February 5th, but that doesn't meant the Artbook has to wait!
Check it out on Amazon and snag your copy today!
Tuesday, January 12, 2016
Monday, October 5, 2015
The future in XCOM 2
An early take on the Alien-ruled future of humanity in XCOM 2. It was used for a limited edition lithograph at FiraxiCon, (Firaxis Games' Convention in Baltimore) this year!
Monday, July 27, 2015
Nepal
-P
Saturday, June 20, 2015
XCOM 2 Announced.
I specifically did the "New world order mood concept", the "Sectoid Concept" and the "Propaganda Center atrium concept". I also did this image of the "Avenger" from the first IGN article.
Check out IGN's coverage during the entire month of June!
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| Screen capture from IGN |
Thursday, January 29, 2015
Final 5 day art challenge post
Final post for the 5 day art challenge, where I show 3 pieces of my work each time. To keep with the "sketchiness" theme overall, I will end with some quick observational exercises. Plain and simple - these are done in a brief sitting and are meant to work the eye out a bit. The top 2 focus on precision and are very slow, the middle are quick, mostly 2 minute gestures from a live model, and the bottom bunch are 5 to 20 minute compositional thumbnails at a couple of Baltimore cafés.
Wednesday, January 28, 2015
5 Day Art Challenge, Day 4
Day 4 of the 5 day art challenge, where I post 3 pieces of my work each day. I missed yesterday. Too bad :)
For today, I am posting some more color sketches, this time purely from imagination. I think these are the kinds of sketches I do most frequently with digital media. Many times I begin these on my tablet when I'm having coffee or tea somewhere, then work them up at home. I am mostly sticking to mood with these, without getting too much into the nitty-gritty. The top one started as a piece I did for a friend's project, which I then decided to take a bit further.
With some rare exceptions like faint glows for fire or fireflies, when making these types of pieces I like to keep it as "manual" as possible, without the use of effects or filters. Often, as I admire other work online, I see what otherwise would have been perfectly good pieces muddled by "color aberration" or other post effects that detract from the original strokes. Sometimes these fx are useful, but most of the time they are unnecessary, which is why I try to keep it simple.
For today, I am posting some more color sketches, this time purely from imagination. I think these are the kinds of sketches I do most frequently with digital media. Many times I begin these on my tablet when I'm having coffee or tea somewhere, then work them up at home. I am mostly sticking to mood with these, without getting too much into the nitty-gritty. The top one started as a piece I did for a friend's project, which I then decided to take a bit further.
With some rare exceptions like faint glows for fire or fireflies, when making these types of pieces I like to keep it as "manual" as possible, without the use of effects or filters. Often, as I admire other work online, I see what otherwise would have been perfectly good pieces muddled by "color aberration" or other post effects that detract from the original strokes. Sometimes these fx are useful, but most of the time they are unnecessary, which is why I try to keep it simple.
Sunday, January 25, 2015
5 Day Art Challenge, Day 3
Day 3 of the #5DayArtChallenge, where each day I post 3 pieces of artwork I've done.
This time I am posting three quick color studies I did. Every now and then I take a trip through streetview and do a quick sketch of something I like (observed, never color-picked or painted over). Then I go in and make changes to the layout and color, sometimes many, sometimes almost none, depending. Again, trying to keep the strokes simple and loose for stuff like this. I realize how little I know when I start to go into detail and it starts to get that "overworked" look. There's always room to grow.
This time I am posting three quick color studies I did. Every now and then I take a trip through streetview and do a quick sketch of something I like (observed, never color-picked or painted over). Then I go in and make changes to the layout and color, sometimes many, sometimes almost none, depending. Again, trying to keep the strokes simple and loose for stuff like this. I realize how little I know when I start to go into detail and it starts to get that "overworked" look. There's always room to grow.
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